The same thing also happened to me with “Fury Road.”
#Mad max characters movie
It took me a good 10 years before I could watch that first movie again, because all I would see were the mistakes - the things I felt were left to do creatively. But the toughest film I ever made was the first “Mad Max.” I didn’t know much about filmmaking, and it was rather bewildering. MackeyĪfter ranking “Fury Road” high on our list of the 100 Best Movies of the Decade, IndieWire called Miller at his production office in Australia, and asked him to reflect on his still-unfathomable studio masterpiece (and discuss what he might be doing next).ĭid it require all your accumulated skills to pull off the challenges of “Mad Max: Fury Road”? Tom Cruise's 15 Best Performances, from Maverick to Frank T.J. George Miller Tells Us How He Made Idris Elba Even Bigger While Tilda Swinton Was Happy to Feel SmallĤ5 Great Films Booed at Cannes, from 'L'Avventura' to 'Okja' That does things to a person, and the result is what Tom Hardy brings to the film.George Miller Tried to Cast Tilda Swinton in 'Furiosa,' Calls Actress 'One of the Wisest People I've Ever Known' He is the survivor, and everyone else he has known is dead. He’s been through the ringer and he’s done with it. That is the type of Max we see in Fury Road-one so overwhelmed by years in the wasteland, he, like many of the film’s characters, has become animalistic and primitive.
#Mad max characters free
When Max first happens upon Furiosa and the wives, he commands them around and works to free himself from his chains through the pointing of guns, the elocution of grunts, and the conversational power of intense glaring. There are entire scenes almost completely free of dialogue, but which play like conversations. When Max speaks in Fury Road, he does so with action. “You don’t say anything unless you have to.” “He’s living in a world where language is not recreational,” the director says. This sense of immediacy and urgency drives the characters and their arcs throughout the picture, told mostly through visual imagery instead of dialogue. It isn’t necessary to know how she rose to prominence within Immortan Joe’s (Hugh Keays-Byrne) hierarchy, what matters is what we see in the film. Just as with audiences unfamiliar with Max prior to Fury Road, Furiosa’s origin story goes untold during the film. The New Yorker jokes, “You could tattoo the entirety of Max’s dialogue onto his biceps,” but the jest is pretty spot-on. Tom Hardy (as well as co-star Charlize Theron) perform through nuanced looks and scowls more than dialogue. Miller and Hardy created a character that would feel familiar to fans of Gibson’s Max, but allow those entering the franchise anew to accept Hardy’s Max without feeling uninformed. Given the length of time it has been since the previous Max films ( Mad Max Beyond Thunderdome, the third film in the franchise, came out in 1985), evolving Max’s character is a smart movie for modern audiences. The details of Max’s history are treated with indifference, allowing the Max of Fury Road to operate on his own and with no need to understand his past. The occasional flashback to Max’s past comes and goes, but these controlled glimmers do little more than let the viewer know this guy has lost everything. Rather, he’s a man driven by the memories of past sins to do little more than survive.”įury Road is one of those rare follow-up films that outperforms its source material, made even rarer as it is the fourth in line. Brian Tallerico writes, “Miller’s new version of Max isn’t a warrior. Tom Hardy’s and Mel Gibson’s Max Rockatansky share the same name, but they are not the same man. The film has been called a sequel and a reboot, but director George Miller referred to it as more of a “revisiting,” using an old character in an updated environment with a vastly different emotional state. Mad Max: Fury Road (2015) may be the maddest Mad Max yet, with an updated Max (Tom Hardy) who is not the revenge-fueled cop of prior films, but a broken-down shell of his former self, haggard and alone after the events of his earlier life that have pushed his emotional torment.
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